Flightless
By
Steven
Winters
Author’s
Note:
Hello
there, So I have several questions concerning the first chapter/scene. For me,
the most glaring is if the combination of third person limited omniscient is
working. I feel like I might be telling more than I am showing with it, but I’m
not entirely sure if that’s the case or if I am just paranoid. If you know any
short stories or books that utilize this POV please tell me, because I want the
immediacy of the present but the looseness of the third person. Secondly, I
want to make sure that the characters’ dialogue is unique enough. I want Will
to be shy/sensitive and to show that he is basically pacifistic. Evelyn should
be like a typical teenage girl. Abram, the serious father who is disappointed
with his son. And lastly, do you like the fact that Belle speaks in musical
notes? Also, is it fine giving backstory at the beginning of the chapter as a
small blurb? And is Flightless too farfetched a title? Cause I am struggling
with coming up with a good title. Lastly, I like the dinner scene, but I want
to like the first time Will meets Belle because I think it’s the most important
part of the chapter (and book) Does it seem forced? Because I want it as close
to perfection as I can. Do I need to make the fight last longer? Have them talk
more? Do I need to lengthen that scene?
Chapter I: The Reckoning
Only after Timar
slaughtered a hundred of the foul creatures, did he gain his wings. The Gods
cursed the Angels, taking away their feathers and casting them down towards the
earth, to be broken and defiled. The Fallen are a plague, an animal to be
hunted and killed.
-3rd
Tome of Timar: The Revelations
Somber,
grey clouds coalesce on the outskirts of the small town, an impending sign that
the Reckoning is about to occur. From the branch of an iron oak, Will waits for
the first sign. As the melancholy clouds envelope the thatched roofs of the
town in their shadow, Will spots a white feather. It floats to earth, bereft by
the slight breeze that fills the empty streets of Brill. He looks down at the
white-washed avenues, envisioning the excited murmurs behind the metal studded
doors and slatted windows. He sits in absolute silence as the feather drifts
towards the ground, and the chirruping birds fly from the branches. The snowy
feather graces the cobblestone street; Will’s pale fingers let go of the coarse
branch and he falls from the tree. Grass and dirt meet bare feet as the scene
before him unfolds. The first door creaks open. Mr. Cottager, the medicine man,
walks out into the street with an axe over his broad shoulders. The new arrival
looks up into the grey clouds. Waiting.
More
feathers follow the first. Some are gold, others silver, but they only accent
the white feathers which pour from the sky. The flurry continues until the
ground is completely covered with beautiful down. An opaque plume flutters and
settles onto Will’s rough, burlap shirt. Picking it up, and twirling it between
his fingers, he gazes upwards as the first slim body falls from the sky.
Even
from this distance, he can see the long, brittle bones that protrude from the
body’s shoulders, as a white robe, ruffling through the air, wraps around the
Fallen’s frame. Will walks to the outer gates as the watchtower bell tolls. He
isn’t the only one to spot the body. A mirthless laugh echoes in his ears as Mr.
Cottager runs down the street, pushing Will aside in his haste to meet the
first Fallen.
Will
looks at the man then back towards the falling body. “It’ll survive the fall,”
he mutters, “they always do.” Pushing himself off the ground, he brushes the
dirt off his patched pants and turns around and continues to the outer gates.
Will
hears the soft thump of the body hitting the ground and glances over his
shoulder. The creature had fallen close to the oak, standing stalwart on an
island of grass in the small square, where he was perched. Its manic eyes glare
into the axe wielder’s own. Before Mr. Cottager could lift the axe from his
shoulder, it lunges towards him with a shriek, like the peal of a funeral bell,
trying to grab at the man’s midriff. Will, turning around, places his hands
over his ears and hastens his pace, the musical screaming had bothered him for
as long as he could remember. The scream is dulled as he looks down at the
street, one foot methodically placed in front of the other. A few seconds
later, the screech is silenced as the axe head buries itself into the Fallen’s
neck. Blood trickles into a gutter. More doors open, but Will keeps walking.
The
gatekeepers see Will approaching the massive entryway, hands still firmly
clasped around his ears. As he walks by the eldest guard, Joel, stands in front
of the lad and pulls Will’s hands away from his ears, “You know the rule Will,
back before nightfall or you’ll be with the wolves tonight.” His calloused
hands let go of Will, and he retreats to underneath the archway in order to
lower the gate for the retreating lad.
Will
nods at Joel’s back and then to his younger counterpart, Aaron, and walks
across the drawbridge. For the past three years, the past three Reckonings, he
has left the town in order to evade the bloodlust that fills the very souls of
the usually peaceful townspeople.
Halfway
across the drawbridge, he stands still. Will can feel the cold, black
marbleized eyes of Timar staring at him from the center of town. He turns to
face the main street, the clear broad lane that met the gateway and greeted the
caravans that occasionally entered town, and the marble statue of a man in
plate armor stands fifteen feet tall, gazing in his direction. Pure, white
wings curl around his body. The statue’s outstretched arms invite him to join
the festivities that would undoubtedly unfold as more bodies rain from the
clouds. Will, breaking the statue’s gaze, starts walking. He hears Joel
laughing, as his feet touch the dirt road.
Grassy
knolls stretch endlessly across the cart tread path that Will follows. Even
with the overcast from the clouds, the yellow buttercups are still beautiful,
and the knee high, golden wheat stalks sway in the breeze, bowing to the boy as
he walks by them. As the stalks fade, shrubs sprout. Will looks up to stare at
the forest of cedars that loom over him. To his left he sees the hill that has
become his perch during the yearly Reckoning. Even though the hill is
dangerously close to the forest, with its hidden dangers, he feels safer here
than in the town. Far away from the town and the screaming beings: the Fallen.
Turning away from the trodden path he makes his way to the hill, the only thing
slowing him are the grasping weeds wrapping around his feet. Upon reaching the
top, Will picks a small blade of grass and twirls it between his fingers, the
feather he once had was now trapped within the massive, stone walls. The sickly, sweet scent of wild honeysuckle,
which wreathes around the trunks of the cedars, lulls him into complacency.
Looking at the wooden wall, which encompasses the town, he envisions the events
unfolding within.
His
family would be in the cacophony of falling bodies, adding more blood to their
hands. His sister, Evelyn, had yet to fell one of the beings. She would be
trying her hardest again, he imagines her, each hilt of a jagged dagger pressed
firmly in her palm as she searches for a victim. A wolfish smile would be
etched on her face as her slim frame stands over an unarmed creature, ready to
strike it down. The memory of the first time he saw her blue eyes glow with
bloodlust still sends shivers down his spine. Martha, Will’s mother, would be
utilizing the hand scythe she uses during harvest season; slicing through flesh
as easily as tender stalks of wheat. Not a single person, since Timar, has
reached a hundred kills within their lifetime. Yet Will’s father, the high
priest, has currently killed ninety-five of the creatures. Every townsperson
inwardly knows that “Abram the Hammer” will be the first person in three
centuries to gain his wings. They were the perfect family, with the exception
of one, small blemish.
Will
flicks the worn stalk of grass away, red tinging his pale cheeks. He tears out
a clump of grass, dirt falling away from small roots, as his rosy cheeks
darken.
Many
of his friends had already killed a Fallen. They would come to the single
roomed school house the day after their “trial” and tell overly excited
schoolchildren how they were nearly killed, and how they were only able to
escape death by a single knife thrust. Will would scoff at them. He knew what
happened in the streets. None of the creatures had a weapon to defend
themselves, but that didn’t stop the school boys from trying to kill them. He
stops, mid tear and his jaw slackens.
He
gazes at the city, where the screams peal louder as more of the falling throng
are cast from the sky. Yet there is one body that doesn’t join the others. The
clump of grass falls from his stunned hands. A small body flings itself to
earth, outside the monolithic walls. For the first time in three years, Will
stands up and reaches for the small hunting dagger attached to his thick,
leather belt. He watches as it stands up and scurries from the walls, spurred
on by the death cries of its brethren. It runs down the path that leads past Will’s
hillock.
Will’s
feet refuse to move from the safety of the hill. Instead, he prays to every god
under the sun that it will run the other way, but his prayers fall on deaf ears
as it continues down the path. A featherless frame slithers across the ground
as little feet patter up the road then stop. She looks up to his hillock. She
stops seeing him there, then moves towards him. As she reaches the top they
stare at each other. She realizing he wasn’t a Fallen, and Will staring at the
little white robed girl; both afraid to move. The polished gleam of the dagger
catches her eye and she takes a deliberate step back. The knife inches up from Will’s
hip. She growls and takes a step forward. The knife moves up in front of him as
she runs at him, a shrill clanging sound filling the air as she screams. Her
small frame clashes into his as she grasps for the dagger. Will, amazed at the
ferocity of someone so small, pushes her back. She leaps at him again, and
again he repels her with his free hand. Her sky blue eyes never leave the
dagger gripped in his hand. He looks to her and then to the dagger and sheathes
it.
She
runs once more at him and collides with him. As they fall to the ground Will
rolls backwards and lands, crouching. She, sprawled on the ground. “I’m not
fighting you,” he says to her, “just go, and leave me alone.” She looks up at
him and then down at her now grass stained robes.
Tears
trace the crease of her nose as they stream down her face. The sound of small
bells chiming in the wind come from her trembling lips. Her rounded facial
features make her look roughly eight, but for all Will knows she could be eight
hundred. Sighing, he holds out his hand, offering to help her stand. She pushes
it away. “It’s okay, I won’t hurt you.” He pulls sheathe and knife from his
belt, and throws them down the hill. “See, I won’t hurt you. Stop crying.
Please, stop crying.”
After
a while, the girl’s tears subside and the small, melancholic sounds diminish.
She wipes her eyes with a pale arm and blows her nose in a grass stained corner
of her white dress. Will returns to his spot. She continues to stand as Will
stares off into the distance. He looks over to her, “You’re free to go. You’d
better hurry if you don’t want them to come after you. They’ll hunt you down.”
She stares at him and opens her mouth, but all Will hears are more musical
notes. “Um, sure.” She picks herself up and walks over to him and sits down. Together
they stare at the fortified walls of the city.
The
dying, orange sun peaks through the grey clouds and over the walls as the last
body falls, trying to glimpse at the carnage that lies within. Will stands and
stretches his arms over his head. He walks towards the town. Bells sound after
him. “You can’t come with me. They’ll kill you.” Small fingers pull at his
shirt, begging for him to stay a while longer. He looks down into her blue
eyes, and with an audible sigh, begins to formulate a plan. “If you survive the
night, I’ll bring you food, okay.” She smiles and nods. “Climb a tree, that way
the wolves won’t find you.” She nods again. “Do you understand me?” Another
nod. “Shake your head if you do.” She shakes her head. Hesitantly, he pats her
on the head, her dark, chestnut hair soft to the touch, and turns toward the
town. As he reaches the bottom of the hill he can hear the faint slithering of
a bony frame, snaking itself through the grass, running in the opposite
direction.
The
gates loom before him, casting its black shadow across the ground, as he
crosses the drawbridge. Joel waves him down, the spear head is now stained red,
“How was the view?” A red drop drips from the pointed tip. Will lowers his
head.
“The
usual, a lot of grass and a gloomy sky.” He mutters to the ground, as he passes
the guards.
“That sounds about right, but I was able to
get two today, and Aaron here got three that tried climbing the gates. Stupid
bastards!” He laughs. Even from the spear length between the boy and the elder
guard, the sweet scent of wine reaches him. His gait widens, eager to reach home.
He hears the clang of the weapon and the clinking of chains as the drawbridge
closes. He looks ahead and sees the once pure, white wings are now stained
crimson as a pile of bodies lay before Timar. The colossal gates block the last
decaying rays of sunlight from falling upon the scene as shadow envelops the
town. He heads towards his house, putting as much distance he can between
himself and the grinning statue.
The
streets are devoid of people as the sound of raucous laughter and drunken
singing escape from closed doors and shuttered windows. The pleasant noise,
mixed with the alkaline stench of blood, cause him to trot along the path.
Avoiding streams and pools of crimson stains, Will makes his way to a small two
story house with the family seal, the Tomes of Timar, plastered on the door for
visitors to identify it from the other identical houses on the street. The
heavy oak doors give way under his push, and the warm smell of baked bread
permeates the air. He hears a faint whistle and with a solid thunk, a jagged
edged knife imbeds itself into the door frame next to him. His sister, standing
at the bottom of the staircase in the small foyer, walks up to Will and places
one hand next to the door frame and the other cajolingly slaps against his
cheek several times. She reaches for her knife, “Guess what happened today?” A
coppery tang reaches his nostrils and he reaches to his wet cheek, clotted
blood is smeared on his hands. “Got my first kill.” She smirks at him, white
teeth glinting in the firelight, then saunters off, the ends of her long blonde
locks also stained red.
“Will,
get the dishes and set the table,” his mother, hearing the one-sided
conversation, calls from the kitchen, “dinner’s almost ready.” He walks in and
sees her bustling over the brick oven, the smell of spiced meat and bread swirl
around the room. He walks over to the small cabinet, which stands under an
equally small window, and pulls out pewter mugs and plates. He sets them on the
roughhewn table in the center of the kitchen and pulls out the knives and
forks. His father walks in from the living room, the entire front of his smock
in red, interspersed with solid bits of white. Will glances past the gargantuan
man and sees the newly cleaned hammer sitting over the hearth of the blazing
fire.
“Good,
the boy’s back. Set the dishes, Will.” He walks over to his wife and pecks her
on the neck. “Just one more, then we’ll have all the power in this town,
Martha.”
“So
you killed four today?” Will asks, as he scrambles through drawers to find the
spoons.
“Yeah.
Nearly had the last one too, but that bastard Cottager took it before I could
get it. Doesn’t want me to get my wings. Jealous I guess. Don’t forget to pull
out the good ale, we have to celebrate your sister’s first kill.” And with
another peck on Martha’s neck, Abram leaves the room.
After
half an hour, the family of four sits around the table, passing the spiced mutton
back and forth. Refills on ale become more commonplace as the conversation
turns to the day’s events.
“You
should’ve seen when it was trying to run from me. I knew I couldn’t let it get
away. After all, if I didn’t get it Susanne, from class, would’ve gotten it and
she already has three kills.” Evelyn states, stabbing at the meat in her
excitement.
“Can
you pass the bread?” asks Will.
“So
I knew that I had to do something to show everyone that it was my kill. So I
took my knife by the blade…” Will reaches over for the bread, only to have it
snatched away by his father who places it on his plate. Will situates himself
back in his seat. “And you should’ve seen the look on her face when my knife
dug into its back. It was absolutely amazing…”
Will
picks at the lamb. Lamb, is his sister’s favorite dish.
“…And
when I got to drag it over to the alter and smear the wings with its blood. It
was like some kind of transformation,” she continues.
As
she takes another breath to expound more on her supposed transformation Will
interrupts, “Well I don’t see any wings on you, so I guess it wasn’t that much
of a transformation.” She glares at him. He continues to pick at his lamb.
Silence fills the air.
“I’m
proud of you, Evelyn. Hearing that tale reminds me of the first kill I ever
had,” says Abram, flushed in the cheeks. Will, who hears this story at least
three times a week, decides to ask the inevitable question.
“How
did you kill your first, Father?”
Abram
looks to Will and gives him a rare smile, “I’m glad you asked, Will. Well it
started when I was around ten seasons old, five seasons younger than yourself…”
as his father talks Will spears a piece of meat onto the end of his fork and
takes a bite. He looks out the window to see if the moon has made its circuit
over the wall. He wonders to himself, in between bites, if the little girl has
been able to find anything to eat in the forest.
“And when I had it cornered in the alley I
swung down…” It must be lonely out in the forest with no family, Will muses. He
swallows, wondering if she has any family. That is if they aren’t piled outside
underneath the statue of Timar.
“But
now all we have to do is wait for the next Reckoning and we will be the first
family since Timar to have their wings…” Will stares at his plate, trying to
figure out how he should hide her wings, after all she won’t last out in the
forest for long. Even the most grizzled townsperson could die in that thicket.
It would be better to be safe in the town than out in the wilderness.
“But
enough with the stories, it’s getting late and I will need to prepare for the
Gathering at the temple. Martha, let’s turn in,” and pushing himself away from
the table, Abram and Martha leave the kitchen. The clinking of forks and knifes
echo as Will and Evelyn finish their meal.
“How
did it feel?” he asks her.
“Well,
it felt pretty good actually,” She picks up a hunk of lamb and tears into it.
“Does it not bother you?”
“Does it not bother you?”
“What?
Killing it? No, not really. When you get in and see everyone else claiming
their kill, it becomes a sort of sport I guess. Make sure you’re not the one
that didn’t get a kill. Like hunting.”
“But
isn’t it different than hunting animals?” Will asks, picking the empty plates
and mugs and bringing them to the basin, where he begins to pump the spigot.
He
hears the bench squeal against the stone floor as his sister gathers her
dishware. She walks over and they both begin to clean the dishes. Will hands
her the first plate and she sets to drying, “I think it’s the same concept,”
she whispers to him. She stares into the sink as Will scrubs the dirty plates,
“But enough about me, killer, how was your day?” she says in a more confident
tone. Will stares at the water.
“You
know, the usual. Lots of grass and a gloomy sky.” He hands her the next plate.
They work together in silence together, swept up by the mechanical process,
“I’m happy for you though, Evelyn.”
She
finishes drying the last plate, “Thanks, killer, you’ll get there some day. It
just takes time is all. Don’t stress about Dad all that much. I know you’ll get
your first kill soon. Hey, maybe next year.” She pats him on the shoulder and
leaves the room.
He
stands at the basin and stares out the window, a pale tendril of glowing moonlight
peaks through the frame. “I met an angel today,” he mutters to the empty room, “she
might not’ve had wings, but I know she’s an angel.” After the dishes were put
away, he walks upstairs to his bedroom. He stairs outside the window as the
patter of rain bounces off the roof. As he lay in bed, tossing and turning, the
rain cleanses the streets of blood and strips the crimson stains from the set
of white marble wings. He restlessly
falls asleep, envisioning the grey pelts of hungry wolves and a torn, blood
splattered white robe.
This is really good! I think you've done a great job of establishing the world that the characters find themselves in and of describing this world. You have some really neat descriptions but in some sections you use a bit too many adjectives and adverbs, slowing down action scenes and making them harder to read through. I think that you could benefit by reading through your story out loud, that will help you catch when you're being too descriptive. I really enjoyed Will's character and I think you successfully keep your reader hooked by introducing the young fallen angel that he saves. The only issue that distracted me from the story was that everyone seemed really chill about Abram the Hammer's son just not being into killing. I think there should be a lot more responsibility and pressure on Will to follow his father's footsteps. This example is super cheesy but its the only one that I could come up with. Think of Hiccup from How to Train Your Dragon trying to follow in his father's footsteps. He goes and saves a dragon but that's only after he tries shooting it in an effort to fit in. There should be some sort of hint that Will is trying to fit in, that will also make his decision to save the fallen girl more meaningful. I think that by tweaking a few things this could really be great!
ReplyDeleteYou do a great job of setting the scene and providing informative descriptions throughout this story. The details are so vivid and I had no trouble imagining everything going on in this chapter. It wouldn’t hurt to give more description about the town and how it’s set up. You also introduce some strong characters. Will’s voice is believable and consistent; I can picture him as a 15 year old boy. I do agree with Malena in that you should try to increase the tension between himself as the son of Abram and his family and the town as a whole. I want to get inside his head more and know how difficult this situation is for him. You do this a little through his conversation with his sister, but this could easily be magnified some. Being a sort of outcast is something Will is most likely going to really struggle with throughout this story, and it’s what makes him different, so there needs to be more at stake with it. I’d like to see more of Will’s mother; I want to know how she reacts to Will’s unwillingness to participate in killing the Fallen. I think Belle speaking in musical notes is interesting, but I don’t get why she can so easily understand what Will is saying but can’t speak to him in the same language. You may want to find a way to explain this. Also, if Belle speaks in musical notes for the entire novel this may become a challenge. I think this language barrier may be what makes this scene not as successful in drawing in the reader’s attention as the dinner scene is. If Will and Belle were able to have more of a conversation somehow then this scene could quickly become more important. I like the quote from the Tome in the beginning of the chapter; it gives the reader a bit of backstory on the Fallen without giving too much away, and the few hints you give throughout the chapter about what it all means to the town and the people individually are beneficial. I am really excited to see this piece again, and I look forward to see where it goes!
ReplyDeleteSteven, I really enjoyed the premise of the story: a peaceful kid in a society that hunts angels for sport. I also thought the opening was very effective, particularly the emphasis on the falling fathers of various colors. Regarding your questions, I have to say that I felt something was a bit off with the point of view and tense. In particular it was rather odd when you’re talking about Will’s parents and refer to them as Abram and Martha. Perhaps this is because I am expecting to be close to Will’s point of view as this is young adult fiction, but I feel like they should be referred to as parents in the narration. I also did get the impression that there was a little bit too much “telling” rather than “showing” throughout the story, probably due to the third person omniscient. I’d bet that this was due to wanting to avoid Will’s knowledge of the world, but you may actually try staying in his head and revealing things about the world more slowly, perhaps through dialogue or imagery. It will be a challenge, but it could pay off in subtlety. I wasn’t really sold on the name “Fallen” –it might just be me, but it feels a little bit too overused as a name in fantasy and science fiction, especially when referring to demons and angels.
ReplyDeleteI do think the epigraph at the beginning is working quite nicely—it acts as a mini prologue while adhering to the familiar convention of science fiction and fantasy novels. My biggest suggestion deals with your concern over the encounter with Belle. The pacing of the scene and the scene in regards to the rest of the chapter felt off. If this is really the most critical scene in the story for you, you many consider ending the chapter with it in order to let the reader linger on that meeting, and then pick up the next chapter after Will has returned home in order to better reflect on the situation. Within the scene, I think we could use some more time to get to know Belle, or at least Will’s perception of her. The musical notes vocalization is interesting, but it didn’t really stick out to me because we only hear about it secondhand through Will’s pointing it out. It would be neat to actually “hear” her voice, though you might have to play around with representing these notes through dialogue.
Finally, I think Will’s voice is effectively portraying him as a peaceful character, but I would like to see more how this pacifism works within the rest of the society. For example, you mention that he’s skipped out on the last three years of hunting, so it might be interesting to see some conflict or at least tension between him and his fellow hunters, whether that is through dialogue or simple body language. It might also add some tension to when Will spares the girl, as there will be a greater sense of danger of being caught by the others and either humiliated or punished. Right now we are only really worried about Belle’s safety (but it’s Will with whom we really sympathize).
This is such a compelling story!! The whole concept of the Reckoning and killing the fallen angels in the way the town does is so fascinatingly horrific - very much a similar feeling when reading about the Hunger Games, which is a good thing!! My other comments include:
ReplyDelete*The fact the Fallen are wearing white robes feels pretty cliche to me. I think it'd be even more interesting if they weren't wearing what you'd expect an angel to wear. On the other hand, the feathers and wings provide such striking imagery that you don't need to worry about those elements feeling to typical when talking about angels.
* I think the third person voice is working well here, which I was surprised to find. The reader still gets a strong sense of Will's voice and his thoughts, so I think you're working with the third person really nicely.
*I do wish we see more of the little girl angel (I'm assuming that's Belle). I know how Will feels about killing the Fallen, but still, he seems surprisingly affectionate toward Belle in wanting to bring her food and being concerned about her at dinner. I feel like he'd be more likely to want to just avoid her in general and not necessarily care, so what's the REASON he cares?
*I love that the angels speak in music form! Very screaming/singing mermaids from Harry Potter and I am all about it haha Though I would change the wording from "musical notes" to just "music" - that's less awkward while still being clear it's not just singing
*What's the significance of the past 3 years? This Reckoning has been going on for centuries, so why are the last 3 years a big deal? Maybe you're about to get to that in the next chapter, but I'm left wondering.
I really enjoyed reading this chapter and seeing where it could potentially lead. The story has a dark atmosphere that sucks the reader inI know in your author's notes that you were worried about the third person limited omniscient point of view, but I feel like it works very well here. We can distinctly tell who is who. I could tell by actions and words who was supposed to be who. Will being a pacifist in regards with the Reckoning is interesting but it left me wondering why there is no pressure or shame put on him for the fact that he doesn't participate in it, particularly when everyone appears to be so bloodthirsty. They seem rather nonchalant about Will's pacifism. I would like to see more elaboration on the Fallen as well. When the first one fell from the sky, they seemed like your stereotypical fallen angels. However, Belle (I don't recall seeing her name anywhere in the story) seems to be much different. She seems "human" while the Fallen first seem "demonic." It could be something that is explained in the next chapters, but it seems too striking to make an immediate connection. The paragraph where Will meets Belle was the only place where I felt like the current POV did not work because it was jumping back and forth between two character's perspectives. The concept of Belle's voice being musical was also interesting but I would like to see it with more relation to the Fallen. I look forward to seeing where this goes!
ReplyDelete