Author's Note:
In these first chapters I introduce several key ideas that are central to the plot as well as the characters that will be partaking in the plot. I explain how the world that the characters are in works, which was extremely challenging because I wanted to focus on the characters more than on the weird world that they live in. I also plan on adding to these chapters, I just need some guidance on how to do that and what particular elements to expand on. I'm struggling with the main character's voice since she's temperamental and sassy. I want to keep her strong voice but I need to balance it out so that she's still likable and relatable to the readers. I'm also unsure as to how much backstory I should provide. Lastly, I struggled with the verb tense that I wrote in. I use a lot of flashbacks but I stick to the past tense throughout the whole thing. I think it might be best to switch to present but I would like to hear what people think bout it first. Thankfully, all of these issues and questions can be addressed during the workshop.
Chapter 1
We call them lights, those small glowing
orbs of the remnants of the people that we once were. At least that’s what I
call them. They have many names: angels, ghosts, spirits. I’m not sure whose
light I saw first, probably a stranger’s, but I remember the first time I realized
what they were. I was eleven and at my grandmother’s passing ceremony. Grandma
Linda had died two days ago and ever since we had been celebrating her passing at
our house. Her casket had been sitting in the middle of our living room,
replacing our coffee table and partially blocking the television. I didn’t
quite know what was happening. I thought grandma was napping in a strange box
in the living room for no good reason and Capri and I kept trying to wake her
up by throwing paper planes at her so that we could regain the quarter of the
screen that the top of her casket hid. We had given up on waking her and were
trying to watch TV when a sharp cracking sound echoed through the house. Capri
and I jumped and screamed and my mother, who had been in the kitchen, ran to
us. She told us to be quiet and watch. Grandma Linda’s body began to swell at
an alarming rate, like one of the helium balloons that mom used to get me for
my birthdays. Grandma Linda continued to grow until the loose cream button-down
shirt that she was wearing stretched as far as it would go, old pale skin
peeking in-between the buttons. When I was convinced her shirt was going to rip
there was a strange high pitched whistling sound as her body began to deflate.
I covered my ears in an effort to muffle the sharp sound but it echoed inside
my head. By now grandma’s body had folded into itself, the saggy skin covering
the bones like a thin tablecloth. I was so busy looking at the skin and bones
that I missed the small flickering light that was dancing almost a foot above
grandma’s face. In fact I would have missed the glowing orb completely if Grandma
hadn’t told me to look at her. That’s when I understood what the lights really
are.
Now I would much rather be waiting for
Capri’s splintering than sitting on this rickety plastic chair at Blue Ridge’s
Memorial Yard. Capri and I used to call it the Junk Yard since the only thing
in it are headstones, empty caskets, and plastic foldout chairs for the lost
ceremonies. This is my first time attending a lost ceremony and considering its
being held for my dead best friend it sucks just as bad as I had initially
imagined. All it really is is Mr. Carter delivering a speech in honor of the
lost and then burying the empty caskets under the marked headstones. The
ceremony should be starting soon. Mr. Carter is standing behind a small wooden
podium going over his notes, which is odd since they are likely to be the generic
“they left this world too soon” spiel that anyone that watches television is
probably familiar with. By now most of the chairs are occupied. This isn’t
really surprising since the Thompson family has been a part of Blue Ridge’s
community for generations. Even Mayor Neils is here, sitting in the middle
section of one of the two columns of chairs.
At first I tried keeping up with who was
showing up, taking little mental notes like the following: Laura Schneller. 20.
Amelia’s best friend. Is wearing a purple polka-dot dress that would have made
Capri cringe. Maurice Fink. 18. The Thompson’s neighbor. Collects bird
feathers. Weirdo. Mr. Matthews. Old.
High school principal. Dyes his hair but won’t admit to it and has several
small cacti decorating his office. I was about to start taking notes on Jeremy
Wayne when I felt something on my lap. I looked down to see my mom’s hand on my
knee. She gave it a light squeeze and threw me a pity smile. A smile that I had
grown uncomfortably familiar with over the last few days.
Doctor Thompson, Mrs. Thompson, Amelia,
and Capri were all sleeping in their home when it caught on fire. They’re saying
it was an electrical spark that started in the kitchen due to the faulty
toaster. That toaster had been broken for weeks, staying on unless you
unplugged it from the wall or jammed a fork into the base of the switch that
forces the bread tray to pop up. That night, Capri and her family had tomato
soup and grilled cheese sandwiches for dinner. She was supposed to spend the
night over at my house after eating with her family but Doctor Thompson had a
patient with an emergency and ended up working late, so Capri texted me to let
me know that she wouldn’t be able to make it to my house. I told her I would
see her at school the next day.
We should have thrown that toaster away.
Capri and I had talked about tossing it in the trash and forcing Mrs. Thompson
to go buy one. Capri’s mom loved toast; she had it every morning for breakfast.
No exceptions. Mrs. Thompson said she would go to the store and get a new one,
but she never did.
Mr. Carter cleared his throat, scanned
the quieting crowd and began his speech.
“‘Those who are lost are not forgotten.’
Never have these words been truer than with the Thompson family. Kind, loving,
and generous, Edward, Lucy, Amelia, and Capri will continue to live in our
hearts despite their tragic loss. I remember when Edward…”
I had heard enough. I untangled my
headphones, unwrapping them from around my phone. I plugged them in, inserting
a small bud into each ear, resigning myself to wait this out.
Chapter 2
It was only after Grandma Linda died that
I became interested in the lights. I had seen and heard the lights before, but
I had never really cared about what they said. Learning that Grandma Linda was
gone but not really made me feel relieved at first. It was like she had never
left, she reminded me to brush my teeth before going to bed and she asked me
how school went, even though she followed me to school. Those were also the
disadvantages of having her as a light. She had the ability to follow me
anywhere, exponentially expanding her nagging radius.
After grandma died, mom brought it upon
herself to explain the traumatic events that Capri and I had just witnessed.
She made us hot chocolate, even though it was three o’clock and the middle of
the summer, and had us sit in the kitchen. The remains of Grandma Linda were
still in the living room and we weren’t keen on going back there anytime soon.
“Splintering is the final stage of the
passing,” said mom. “When a person dies, the soul needs time to condense into
its purest form. Depending on how complex your soul is this can take anywhere
from hours to days or months. When you splinter, your soul is finally able to break
free of your body.”
“Does it hurt?” asked Capri, noisily
sipping on hot chocolate.
“No, honey. People don’t even remember
it.”
I wasn’t quite sure I believed her. After
all, how would she know if she has never died? Grandma Linda must have sensed
my skepticism or read my mind because next thing I new she was talking to me.
The weird thing about talking to lights is that it all happens in your head. I
had heard other lights in my head before but never someone’s voice that I was
particularly interested in listening to, which made it extremely easy to simply
shut these voices out or treat them as background noise.
“I don’t remember feeling anything,” said
grandma.
“Its so weird that we can still hear
her,” I said.
“You will get used to it sweetheart,”
said mom. “And you can learn to shut it out if it bothers you too.”
“But what about Ms. Linda?” asked Capri.
“She will continue to be with us. That is
the beauty of passing and splintering, we never really have to say goodbye.”
That night I couldn’t go to bed. Grandma
Linda’s light kept flickering by the foot of my bed, shadows bouncing around my
small room. I tried blocking it out, the way mom said I could. But no matter
how hard I tried the light continued to dance behind my closed eyelids. I
finally asked grandma if she could leave and she floated through my bedroom
door, disappearing. I didn’t see grandma until over a week later.
Chapter 3
It’s been a week since Capri’s
death. I’ve been spending my days talking to Grandma Linda and watching TV. My
summer excitement and activities were centered on Capri. We had spent all of
spring semester coming up with a list of things that we wanted to do during
summer break. We would be seniors in the fall so this would be our last truly
enjoyable summer, without having to worry about things such as college, moving
away, and making new friends. Her death brought all my plans to a sudden halt.
We had only gotten through the first six items on our list on the night she
died. We were supposed to go to the beach today. We had begged Amelia to let us
tag along with her and her friend Laura and they had surprisingly agreed. Capri
tried to convince me that this was entirely an act of kindness from Amelia’s
heart, but I have a feeling Capri might have threatened to blackmail her. Capri
always got what she wanted no matter the cost, and blackmailing was her
specialty.
Instead of spending my summer tanning by
Capri’s pool, I had spent this last week painting and repainting my nails and
watching bad reality shows. The light grey couch in the living room was slowly
but surely getting a permanent dent from my butt cheeks.
Mom’s friend, Charlotte, told her that
it’s normal for me to feel this way and convinced her to buy me a fish. I don’t
know how a fish is supposed to help me feel better about losing my friend forever
but my mom fell for it. I had gone out for an afternoon jog, the first since
Capri died, only to find my mom had come back from work, with a fish. She said
that I had to name it and that I had to treat it the way I would treat Capri’s
light.
“So you want me to replace my dead
friend with a fish?” I asked.
“Olivia, you’re being dramatic. I’m
just trying to—“
“No! Don’t try to understand. Just
leave me alone.”
Even though I had just gone on a jog
I headed back outside. I walked to the end of our driveway, stopping next to
our mailbox. I took a deep breath before putting my headphones in and ran, not
bothering paying attention to where I was headed.
Capri’s house is exactly 1.2 miles
away from mine. Or rather it used to be. I was running without paying much
attention and I ended up running straight to where the Thompson’s house used to
stand. Capri and I have lived in the same neighborhood since I moved here when
I was seven years old. Beechwood Grove is an old neighborhood with grand Victorian
style homes intermixed with nature trails, creeks, and woods. The developers
decided that it was essential for Beechwood Groves to embrace the American
right to own land and had provided plenty of space between every home. During
those especially hot and humid days that I would walk to Capri’s house I used
to curse the patriotic assholes that designed our stupid neighborhood. The
route to Capri’s house is particularly beautiful since it requires cutting
straight through the beechwood grove that the neighborhood is named after.
Capri’s house used to be a beautiful three-story house with a large screened
porch, pool, and greenhouse. It was probably one of the largest and most
beautiful homes in all of Beechwood Grove. The house was a beautiful robins egg
blue and had ornate trimmings in a soft cream color. Capri used to call it The
Nest.
The Nest has changed a lot since I
last saw it. Everything was lost in the fire except for the greenhouse, which
was placed a little ways behind the house. The once grand structure was now
nothing but a heap of burnt wood. Even though the fire had taken place over a
week ago the smell of smoke and burnt wood was still strong. I pulled my
headphones out and walked up the stone pathway that led straight to where the
steps to the bright yellow door to the house used to be. Some wooden stakes had
been planted around the scene, yellow police tape running through them like
cheerful streamers. I assumed that
whatever was salvageable, if there was anything, had already been removed from
the site.
I don’t know how long I stood there,
looking at the charred remains, but I would have probably stayed put a lot
longer if it hadn’t been for the sound of steps coming towards me. I turned
around to see Maurice Fink and a police officer walking up the stone steps.
“Olivia?” asked Maurice.
Even though Maurice and I went to
the same school and essentially grew up next to each other we probably never
exchanged more than a few words between us. He was a year older than us and
never seemed to be one with many friends. In fact, Maurice would have probably
managed to live his entire life unnoticed if it weren’t for the wild mop of
blonde curls that sat atop his head. His crazy mane attracted many unwanted
stares that usually sent the poor guy shuffling in the opposite direction.
“You can’t be here, Miss,” said the
officer, reaching the last stone on which I stood.
“How come?” I asked
“Olivia, I’m sure the officer has
his reasons. Why don’t you—“
“Whatever,” I said, interrupting
Maurice.
I shuffled past the officer and
Maurice and began my descent down the stone path. I had reached the mailbox
when I heard quick steps behind me.
“Olivia, wait.”
I kept walking, deciding it was
probably time for me to jog back home when I felt Maurice grab my arm. I turned
to yank my arm away but he surprisingly had a firm grip.
“I’m sorry,” Maurice said as he
shook some of the curls away from his eyes.
“You already called the cops, its
fine. I just want to go home.”
“I didn’t call them, Olivia. Look,
I’m really sorry. Not just about right now, but about—“
“Its fine, Reese. I just want to go
home.”
He threw me one last pity smile
before letting go of my arm. I put my headphones back in and jogged home. When
I got home the sun was beginning to set and my parents were sitting in the
kitchen. Dad was chewing on a sandwich while mom worked on filling out a
crossword puzzle. I walked in just in time to hear mom cheating.
“What is the ‘Asian language in a
region famous for tigers?’” she asked.
“Bengali,” I said as I grabbed an
apple from the bowl between them. “Also, that’s cheating, cheater.”
Mom hurried to fill in the word and
smiled at me.
“Its not cheating if I ask my smart
daughter for help,” said mom.
“You said you wanted to do this on
your own!” I said, trying not to spit out apple everywhere.
“That’s true,” said dad.
Mom has been saying she’s going to
fill out a crossword puzzle by herself without cheating for years. She has been
at it everyday for nearly two years and so far hasn’t managed it. I may not
agree with her crossword-filling ethics but I admire her determination.
“Do you want a sandwich or anything
to eat, Oli?” asked mom, setting down her pen.
She’s been filling crosswords out
for nearly two years and she still refuses to do it with a pencil.
“No thanks, I think I’m just going
to go to bed,” I said.
I’m making my way out of the kitchen
when I see the pathetic fish sitting in the small circular glass bowl that my
mom got for it. Mom set the fish on the small table where we set our keys, gum,
and spare change. I walk up to it and bend down to look at it more closely. The
fish is floating uninterestedly close to the surface, barely moving. It’s not
very big, but the beta fish is beautifully colored in multiple shades of blue
going from a metallic teal to a midnight blue and a black tail tip. I smile at
it and pick the small bowl, making my way to my room, fish in tow. Capri’s
favorite color was blue.
This is a very interesting and compelling set up for a novel! I was surprised that everyone could see the lights, that it wasn't just something Olivia can see, which I actually really like! I'm definitely looking forward to reading more. Here are the comments I made while reading:
ReplyDelete*I'd love to see the first sentence just be, "We call them lights." That'd have such an impact!
*It's a little odd that an 11 year old doesn't understand what death is. Only very small children make the mistake of thinking dead people are sleeping.
*I'd capitalize the specific aspects of this world, like Passing Ceremony and Lost Ceremony, to give emphasis to the unique parts of this world, setting it apart from reality.
*The officer part is confusing....like where did the police come from? Where did Maurice come from? I think there are some gaps that need to be filled.
*As far as tense, I think it's fine switching from past to past-past. You don't necessarily have to write in the present! I'd just choose whatever feels most comfortable to write in, especially because once you get beyond the first several chapters and the back story is given you'll be writing primarily in the one tense anyways.
Very interesting read. I like the plot of this fledgling novel and I think it can take a lot of different directions and this makes it a very versatile novel. I like your characterization of Oli, and like Caroline stated I kind of like that everyone can see the Lights. I also agree with Caroline, I think that all of your ceremonies and customs should be capitalized to showcase their uniqueness.
ReplyDeleteI have some minor critiques, but I hope they help. I also agree with Caroline when she states that the first sentence should be changed. Because when you state what they are, you rob the reader of the wonder that they are having. You gave 'em the hook (lights) but let them right off (you told us what they were). If you ever have the opportunity, read Garth Nix's YA novel, Sabriel. It is also a book that deals with dead spirits and people who deal with them. Nix starts his novel by having one of the main characters walk in death and who can cast strange magic. The beauty of this is it starts with an interesting introduction, but the kick, throughout the trilogy, is that he never gives a straight explanation of how the magic is cast and how death and dead things come to be. I think it would be a good template to look over. Also, I think that if you are going to have flash backs, then the majority of the work should be written in present tense and the flashbacks in past. Also, when you do the flashbacks, make sure that you distinguish them from the rest of your work. Also, I agree with Caroline that the main character should probably know about death since everyone sees the Lights, it seems a very common ritual in this landscape. So when you have a character that doesn't understand something so commonplace, you cast doubt on her reliability. Lastly, I think that you could probably expound on your chapters, because as it stands chapter one is a page and a quarter, unless your target audience is the 11 age range that Oli is, then keep it. I think this piece has great potential and that the concept is amazing. I hope to see the final product put up when you are finished. Best of luck on revisions!
Sincerely,
Steven Winters
Malena, I really enjoyed the magical realist premise of the story. You did well in introducing these elements as something of a shock when Olivia sees her grandmother’s body go through its transformation. That scene itself was very unsettling and effective at grabbing my attention (as well as the term “splintering” to refer to the process). Overall, I think you did a good job with easing us into this strange world naturally, focusing on the characters rather than the strangeness. However, I felt that the mother’s explanation of splintering (“Splintering is the final stage of passing…”) could be a little more organic, as right now it feels a little too much like obvious exposition. You could fix this by just a slight tweak, because the subsequent bit is great with Capri’s wondering if splintering hurts. Dialogue like Capri’s here also feels very much like what teens would say and think, so I think that you are doing a great job on that account—no need to worry. I also think that your protagonist’s voice is working quite well. It never really feels to sassy, and in fact the sarcastic edge is actually quite welcome and grounding to this story, which could have the tendency to slip into melodrama otherwise. A good example of this that comes to mind is when Olivia as narrator describes her grandma’s body during splintering as swelling like a helium balloon. It’s grotesque yet somehow darkly funny. In regards to the tense of the story, I think past is working fine, though you may try experimenting with the present tense to see if you can get any interesting effects. I think I would like a little bit more information to place us chronologically in the different sections because you do have the flashbacks. It was a bit jarring initially to go from the grandmother’s death to Capri’s. Finally, I think I would like to see some more on the etiquette of the deceased to the living, such as when Olivia asks her grandmother to leave—the idea of a lack of privacy because the dead are always present is quite fascinating.
ReplyDeleteYou give a lot of strong, descriptive information about this world and how it works. The world is unique and interesting. I was a bit confused about what exactly the lost ceremony is; is it basically the equivalent of a funeral? And why are the caskets empty? I think you do a good job of finding ways to explain the concept of the lights, both through dialogue and backstory, but as several people have said, highlighting and expanding on these unique practices would be great. Your dialogue is believable and flows well. Chapter 3 is where I really started to hear Olivia’s voice, and I’d like to see more of that in the beginning of the story. Since the first two chapters are more about setting the scene and giving backstory, Olivia’s voice isn’t focused on as much. I suggest finding a way to intersperse those chapters with some dialogue and interactions Olivia has with other people. I suggest mentioning Olivia’s name earlier, since we don’t learn it until chapter 3. I want to know where Blue Ridge is. I assumed Georgia because of the town’s name, or possibly another southern state, but it’s not clearly stated. Otherwise I think you give plenty of setting description; I had no trouble picturing the scenes. I’d like to know a little more about Olivia’s relationship with her parents, which you can easily do by fleshing out the scene at the end of chapter 3 or adding a few lines here and there. As for the tense, you do have a lot of flashbacks, and though I didn’t have much trouble telling when those happened, I think the story might flow better if the majority of it was written in the present tense. This way the flashbacks would stand out more. But if you’d rather stick to writing in past tense, you could just put breaks before and after the flashbacks. Overall, I really like the concept of this world, and I’m excited to see where this story goes.
ReplyDeleteA very interesting read! I feel like the first paragraph of the the story is the best part of it in terms of set up and description. I do agree with the comments above that you hook us in with "we call them lights" but it never really seems to go anywhere else. I love the concept you have created (at least that which you have revealed to us) but for me it left a few lingering questions. There is a scene in which Grandma's soul is bugging the protagonist and comments made that she is always (in a literal sense) with them. I began to wonder what death is like in this world. Is it just a slap on the wrist? People when they die still seem to have some sort of consciousness. It was hard for me to believe that death was taken as seriously in this world if technically they still lingering around with some form of consciousness. For me, this story seems to be focused around it's mythos and relationships. You did a great job establishing the relationship between the protagonist and Capri with no dialogue, but I feel like the relationship with the protagonist's parents could be elaborated on a little but more, but you have a good start where it is. I felt like you handled the past and present tense very well. There wasn't a time where I was confused in what part of the character's history I was in. Although, it would be a good idea not to have a memory be the first scene and then immediately switch to the present tense.
ReplyDelete