Hey guys! I tried working on several things with this section, mainly involving characterization, relationships between different characters and voice. My main concern is how the Spanish and English flow together, so if something doesn't make sense or gets annoying regarding Spanglish please let me know. I included more scenes with Olivia so hopefully y'all can get a better sense of who she is and how she interacts with others. I also included more of Abuela Linda and introduced Axel. I tend to struggle a lot when it comes to "emotional" scenes and I try really hard not to make them sappy and overly dramatic. That said, if at any point it feels like you're reading the print version of The Bachelor or Bachelorette please let me know so that I can either quit life as a writer or make the necessary edits. All criticism is welcome and encouraged!
Enjoy!
Chapter 3
“Oli, you should go outside and get
some air,” says Abuela Linda.
I’ve been in my room reading and
occasionally sticking my finger in the fish tank that’s sitting on my bedside
table. The small blue fish rushes to the surface to nibble on my fingertip
every time. It kind of tickles.
“I’m busy,” I say as I tuck my dark
brown curls behind my ear. From the corner of my eye I can see Abue’s light
flickering, annoyed. I sigh and put my book down, turning to look at her.
“You can read outside,” she says
floating closer to me.
“Yeah, but I can also read inside,”
I reply as I look back down at my book. I grab it and grandma drifts towards my
nightstand.
She hovers over the small fishbowl before
darting across my room and disappearing through my window. I sigh, putting my
book back down. I look at the pathetic little fish floating in its bowl. Its
fins are moving but it remains in the same place, close to the surface. I get
up, put on some flip-flops, and grab my purse that’s hanging from my desk
chair. I’m walking out of my room when I stop to grab my phone that’s sitting
next to the tank. I slide my phone in my pocket and I’ve already reached my
door when I double back and grab the fish tank, closing the door behind me.
***
“You can’t tell Mom,” I say to Abuela
Linda.
We’re sitting in my small yellow car waiting
for the order of fries and the sundae that I just ordered. Abuela Linda is
glowing excitedly from the center console. She loves car rides. I look down at
the passenger leg space where the fish tank is sitting. The water is sloshing
along the smooth edges of the tank, fighting the Saran wrap that I tightly
placed over the tank’s mouth to prevent water from spilling all over my car.
I finally get my order, but not without
having the cashier give me a funny look after spotting my fishy passenger. I
place the fries and sundae in my cup holder before driving off.
“¿A donde vamos?” asks Abuela Linda.
“I
don’t really know,” I say as I grab a fry and dip it in the sundae.
I’ve
worked my way through half of the order of fries when I realize that I’ve been driving
without paying much attention at all to where I’m going.
“I
think we’re lost,” I tell Abuela Linda. We’ve been driving on small back roads
and forgotten highways across the Sonoran Desert for about forty minutes.
“Ay,
mi hija.”
“You
didn’t say anything so I thought you knew where we were,” I say.
We
drive a few more miles into the desert before I decide to make a U turn. We
drive without talking for a while, the radio playing softly in the background
as the desert sand and vegetation stream by.
“I’m
sorry about Capri,” she says, breaking the silence.
I
nod my head and keep strumming my fingers against the steering wheel as we
drive along.
“It
must be hard. Not having your friend while others like me get to Splinter and—“
“Abuela,
por favor.”
“I’m
just saying—“
I
reach over and crank the music as loud as I can, trying to block her voice from
my head.
“Olivia,
stop.”
I
see her light glow before it dissolves in the air, leaving a wispy trail
behind.
I
don’t know how long I’ve been driving but my leftover sundae is completely
melted and the remaining fries are cold and soggy. The beautiful desert light
continues to stream in through my car windows, like those old movie projectors.
I glance down at the fast food scraps and at the lapping fish water and that’s
when I feel the itch behind my eyes. The one that makes them water. I blink
madly, trying to scare the tears away, gripping the steering wheel tightly.
“Capri?”
I ask in my head.
I
wait, holding my breath.
I
finally breathe in again, the back of my eyes stinging.
“Capri?”
I ask out loud.
I
wait, holding in my breath.
Nothing.
***
“Cementerio
Viejo Paraiso” reads the green exit sign. I take a deep breath before switching
on my blinker and getting on Exit 36. I follow the weathered signs until I
reach the wrought iron archway that marks the entrance to the cemetery. Since I
was last here several weeks ago both metallic A’s have been stolen from the
large lettering. I make my way into the cemetery, following the winding gravel
road until I reach the parking lot. I
park the small yellow car and unbuckle my seatbelt. I take a deep breath
before getting out of the car and walking over to the passenger seat, bending
down to grab the fish tank and precariously placing it on the yellow roof. I
grab the leftover fries and sundae and shut the car door. I grab the fish tank
off the car and tuck it under my free arm before making my way to Capri’s
barren grave.
It
is very fitting, and depressing, that the Lost’s final resting place is itself
lost. I’m the only one walking down one of several narrow cobblestone pathways,
passing row after row of headstones and plaques scattered on the desert sand. I
hobble along, fish and food in tow until I get to the rows designated for last
names starting with R. I go down the path until I find Gloria Ramos’ grave. A
few lots from hers I find Capri. I stop on my tracks, facing the small bronze plaque.
Capri Ramos
May 16, 1998-June 8, 2015
~
That’s
it.
Just
a name and a date.
I
take a deep breath before kneeling down in front of the plaque, putting the
fish and the soggy food on either side of it.
I
sit there, not entirely sure of what to do now. I have never done this before,
or heard of anyone visiting someone here.
I
remove the Saran wrap from the fish tank and stick my pinky finger in. The blue
fish rises to the surface, nibbling on my finger.
“Háblale, mi hija.” Talk
to her.
Abuela
Linda’s voice takes me by surprise and I jump, nearly knocking over the melted
sundae.
“Abuela!”
I yell surprised, balancing the sundae and preventing a sweet disaster from
taking place.
“Talk
to her, Oli.”
“How?”
I ask, turning to look at the glowing orb.
“Like
this,” she says.
“Its
not the same, she’s—“
“Ignore
it, just talk to her.”
Before
I can come up with a remark she has dissolved into thin air.
I
look back at the sad inscription on the ground before me. I clear my throat and
stick my pinky back in the fish tank.
“Capri?”
I ask out loud.
Nothing.
I
clear my throat again.
“I
don’t know if you can hear me, but its me, Oli.”
I
can’t help but feel like an idiot talking to a sheet of metal. I stop talking
and look back at the little fish. It has stopped nibbling on my finger and has
gone back to floating in place.
“Charlotte
got me a fish to replace you,” I say as I swirl my pinky in the fish water.
“Loca, right?” I pull my finger out of the water and dry it on my shorts. “I
haven’t named it yet,” I say. I point at the sad blue fish and tap the glass.
It doesn’t budge. “I saved you fries and sundae…Sort of.”
***
The
longer I talked the easier it got. I told Capri about my uneventful summer ever
since she’s died. Her Lost Ceremony and Laura’s ugly dress. I told her about
visiting The Nest, what’s left of it. How Maurice Fink gave me a ride home. I
tried telling her about that night, when I heard the sirens.
The
sun’s starting to go down and the desert wind’s picking up, tiny sand grains
hitting my bare legs like miniature bullets. I readjust the plastic wrap on the
fish tank and carry it back to my yellow car. I left the fries and sundae for
Capri. I don’t know if that’s technically considered littering, but its too
late now. I make it to my car and I’m bending over, placing the fish on the
passenger side, when I hear someone clear their throat behind me. For the second
time today I jolt, slamming my head into the car’s doorframe.
“Coño!” I cuss as I clutch my
throbbing head.
“Someone’s got a sailor’s
mouth,” I hear someone say behind me. The voice is rugged and gravelly
sounding. The voice of a chain smoker.
I turn back, ready to give
a piece of my mind to whoever is creeping on me at the damn Vejestorio and I
see its Axel Rivera.
Axel and I have been going
to school together since I moved here. His family has probably been here just
as long as Capri’s. Unlike the Ramos though, the Riveras are known for all the
bad things. Theft and drugs being some of the items on their long family
record.
Axel is tall and fit, but I
wouldn’t describe him as muscular. He has tan, caramel skin and short dark hair
that matches his dark eyes. He has soft facial features that reveal his age.
“What are you doing here?”
I ask, still rubbing my head.
“I work here, güera.”
“Ugh, don’t call me that.
I’m not blonde,” I say as I shift my weight from one foot to the other and run
my hand through my brown curls.
“Close enough, Blondie.”
“What’s your job anyway?”
“Security,” he says as he
sticks his hands in his jean pockets.
“Well you haven’t been
doing a very good job,” I say as I point down the road at the archway with the
missing letters.
“Whatever. No one ever
comes out here anyway.”
For some reason this
strikes a chord and I’m tempted to jump in my small car and run him over. I cross my arms over my chest and look back at
the barren cemetery.
“Well, maybe someone ought
to care.”
I turn back towards my car,
ready to go home. I reach the driver’s door and I climb in, buckling my
seatbelt. I’m about to close my car door when I notice Axel has moved and is
standing a few feet away from my door.
“Olivia,” he says leaning
towards me.
I clamp my fingers around
the steering wheel, anticipating the awful “I’m sorry” and pity smile combo.
“Is that a fish?” he asks.
I’m surprised by his
question and it takes me a few seconds to process what he’s actually saying. He
knits his eyebrows together and points at the fish tank sitting on the floor of
my passenger seat. I follow his finger to the tank, the question finally making
sense.
“Yeah,” I say, trying to
act like toting a fish around like a purse is perfectly normal.
“Cool,” he says as he
straightens himself back up. “What’s its name?”
“Spud,” I say as I shut my
car door. I crank my car and Axel steps back, sticking his hands back in his
pockets. I back out of the spot and drive towards the winding gravel road that
leads to the archway. As I speed off I look in my rearview mirror and see Axel
still standing there, and arm waving me away.
Chapter 4
I’m sitting on a beach
towel, doodling in a notebook while listening to music. Whenever the breeze
picks up it hammers desert sand against my skin and the cemetery plaques, making
a sound similar to rain. For the third time this week I’m sitting in front of
Capri’s grave eating French fries and a sundae while Spud floats in his tank.
I’ve been sketching a drawing of the small beta fish for over 20 minutes now
and its finally coming to life. Unlike what has become the typical Spud pose I
have captured this fish swimming, its long fins and tail swelling with the
movement of water like parachutes. The wind and sand rattle the pages of my
notebook, so I take a break and close it, waiting for the wind to come
down. I trace my index finger over the
raised engraving of Capri’s plaque, spelling her name with my finger.
The name Capri was selected
as a sort of inside joke between her parents. Whenever Mrs. Ramos discovered
that she was pregnant again her and Mr. Ramos decided that this would be their
last child. They then agreed to spoil her rotten and joked about all the
wondrous things they would do for their new daughter. At some point Capri’s
father said that they were setting themselves up to raise the ultimate
caprichosa. Capricious. They joked of
their newest daughter being a temperamental, unreasonable, and impulsive brat.
Soon they shortened it to Capri and it stuck. This was one of Capri’s favorite
stories to tell. It was also one that I had probably heard over a dozen times
since teachers and classmates where usually curious of the origin of her rare
name.
I trace over Capri’s name a
few more times before deciding to pack up and call it a day. The wind doesn’t
seem to be coming down and I’m getting a thorough exfoliation from being
brushed by the drifting sand. I leave the remaining sundae and fries and take
the rest of my stuff to my car. I’m walking down the pathway that leads to the
parking lot when I see Axel sitting on the vibrant hood of my car.
“Hey, Blondie.” He’s
smoking a skinny cigarette, the picture of not having a care in the world.
“I refuse to respond to
that,” I say as I make my way around to the passenger seat, now officially Spud’s
seat. I place him on the floor of the car and close the door, making my way to
the driver’s seat.
“Isn’t that technically a
response?” He asks, taking a drag and knitting his eyebrows together.
I stop at my car door,
glare at him, and proceed to hop in. I close the door after me and I buckle up
and crank the engine. I’m surprised to see that Axel hasn’t budged and is
calmly smoking away. I give him a second and when I see that he hasn’t made an
attempt to move I press the horn lightly.
He doesn’t even flinch.
I lay on my horn.
Nothing.
I sigh and roll my window
down.
“Would you mind?” I say,
sticking my head out the window and pointing at his butt.
“Where are you going?” he
asks, taking another drag.
“Why do you care?” I
retort.
“I asked first, Blondie.”
“Its non of your business!”
I say, getting more irritated by the minute.
“Fine,” he says as he turns
back to look ahead of him, “suit yourself.”
He takes one last drag from
his cigarette before dropping it on the sand floor. I give him a minute to
stand up but he’s still sitting on my hood.
I lay on my horn one last
time.
Nothing.
I shift my car to reverse
and start backing up. Axel looks back at me, smiles, and brings his feet up,
resting them on my front bumper while grabbing on to my windshield wipers. I
step on the accelerator a little harder but he’s grabbing on tight. I finally
give up and brake, shifting my car back to park. I sigh and poke my head out my
window again.
“What do you want?” I ask.
“Just answer one question
and I’ll hop off and let you go wherever it is you’re going,” he says, turning
to smile back at me.
“Fine. Ask your stupid
question.”
Malena, I really like what you having going on in these chapters, especially the introduction of Axel and the immediate tension between them, and the way you ended this 4th chapter so strongly with the intriguing question! As far as you were concerned about emotional scenes, I think you did it well and there isn't a trace of being overdone, at least for me! I think the Spanish is working well too, there's just enough that it's consistent without being confusing for those of us who don't understand the language. I think you were smart choosing phrases that the reader can infer, and knowing when a translation was actually needed, so that's very smart of you! I only have a couple concerns, though. I don't feel very grounded in a sense of place, especially in the 3rd chapter. I'm seeing desert, but is there something more specific and descriptive we can have? What does a cemetery in a desert look like, how is it different from cemeteries, say, in Alabama? My other concern is with the fish. I think it's such an interesting and quirky element to the story and Olivia's characterization, but as it is now it's not quite sitting right with me. I love the reason she has the fish, but why is she carrying it around? If it's just Olivia's quirkiness, I think we need to see that more in her personality overall, amp it up! Also not really digging the name Spud, but that's just a personal thing haha Overall, you have some beautiful moments and details throughout these two chapters - I particularly love the fries and sundae brought from Capri!
ReplyDeleteI think you do a good job inserting bits of Spanish here and there; these phrases never hindered the flow of the story for me and their meanings were inferable through context and translation when needed. Axel’s character is written very well; I have a good sense of who he is, and I like the tension between him and Olivia. The emotional moments come across as very realistic and true to Olivia’s character. These chapters gave me a pretty good sense of who Olivia is, especially through her reactions and thoughts in the scenes with Axel and Abuela Linda and alone in the cemetery (I love that she brought her the fries and milkshake). However, I would like to know more about what made her decide to carry the fish around with her, and as Caroline mentioned, if this is just an example of her personality, I’d love to see more of that in her actions and dialogue. Your descriptions throughout these two chapters are so strong and vibrant. I especially like the details about the desert and the sand at the cemetery. That said, I want a more specific picture of the cemetery: is it completely sand or is there grass? Are there any trees or buildings around, any mountains or roads in the background? All in all, these chapters have beautiful and strong details and characterizations, and you do a great job of giving Olivia her own unique voice.
ReplyDeleteYou have a lot going on with these two chapter Malena. I felt like the scenes with Olivia at Capri's grave were well done and didn't feel "overblown" in any way. I was a little bit confused as to why you thought this played out like the Bachelor(ette). Axel and Olivia's relationship (if you intend on making them romantic) wasn't overflowing with romantic tension, unless it was that of the slap slap kiss variety. I also like what you did with Abuela and how she is just a ghost that appears and disappears when she feels like it. I did have a problem with the Spanglish throughout the chapters though. I liked how it started off with what seemed like Abuela speaking in Spanish only. I've encountered in work many families that have one generation that is bilingual and one above them that only speaks one language. I felt like this could have given a more realistic feel for the story. The reason I don't like "Spanglish" is because I can never ever see why a person would do that. Pretty much all bilinguals I've been around speak either in one language or the other, depending on the audience. I feel like you can work with the relationship between the English and Spanish language here to a great extent. Maybe have Olivia speak in English, but when she is terrified, she starts saying a prayer in Spanish or something like that.
ReplyDeleteI think I made a mountain out of a molehill there. Enjoyed reading it!
I agree with Kylie and Caroline's reviews, on the whole, your work in these chapters is very good. I think the Spanglish is working and the interaction between Axel and Oli is very well written. I also enjoyed your note about the Bachelor, very funny. As Kylie and Caroline have mentioned, there is the fish. It's cute. It's quirky. And I totally see Oli carrying it around. But therein lies the problem. The fish is an it. If you name the fish sooner, you've hooked the reader (pardon the pun). If something is not important enough to be named (and if it's named to throw someone off it doesn't feel genuine) than the audience will more than likely not care about the character because the author didn't bother to name it. I haven't read the revision of your first work, but from what I've read, Oli is a very introspective/observational character. When her friend dies, all she has left as a reconciliation is a fish. In a sense, the fish is her first companion who is there to attempt to alleviate Oli's grief, even if the best it can do is swim. She can confide in it and not be judged.
ReplyDeleteThink of it this way, we all (or at least myself) have a favorite object which we have a strong attachment to. Mine is a stuffed Rabbit which I have had since birth. His name is Rabbit, and if I lost him I would probably have to check into therapy. He is important, even if he is not truly active. Similarly, fish (Spud) is important to Oli, he is the only constant she currently has (even Abuela disappears) and is her anchor. That's why (I think) Oli carries Spud around. There is an unspoken relationship between the two of them. I think if you name Spud earlier because he is connected to Oli, then the audience will better understand why Oli is carrying him everywhere. There needs to be that connection, or else we will have no connection to Spud, and if there is no connection, the audience will wonder, "Why the fish?"
In conclusion, I love your writing. I love your conversation (I struggle with dialogue so I'm jelly). And I love the world you are building and I am impressed that this is your first world building story. I hope my advice with Spud is helpful (Sorry if I went into some psuedo-Freudian psychoanalysis). I just really want this world to shine! Best of luck and I hope you post more!
Sincerely,
Steven Winters
Malena, I think you are doing a great job with melding the Spanish and English in the dialogue. I never had any problem understanding what was going on or thought anything sounded weird, and in fact the exchanges between Olivia and her abuela sound similar to those I have with my grandparents. I did notice that you went out of your way to clarify areas of potential confusion like “güera,” and that’s helpful. The Spanish/English mix really does a good job placing the story in the American Southwest. I also enjoyed the dialogue and relationship between Olivia and her grandmother—it continues to be interesting to see her get frustrated and annoyed with her abuela. Additionally, your description of the cemetery was very well done, and I really enjoyed Olivia’s leaving her fries and sundae on Capri’s grave—it was nice and quirky.
ReplyDeleteOne small suggestion I have is to maybe describe the fish tank a bit more. I was having a hard time visualizing it, and I noticed it might be because you alternate between calling it a “fish bowl” and a “fish tank,” the latter of which would seem to be very unwieldy, especially to be taking in a car. The biggest concern I have here is with Chapter 4. I thought Chapter 3 was a good continuation of the Splintered Grandma / Capri plotline as well as an interesting introduction of the Axel character, but I feel as not enough happens “real-time” in Chapter 4. There’s a bit too much exposition and backstory on Capri, which while interesting, I feel could be worked in a bit more gradually and naturally. Additionally, I’d like to see a bit more development of Axel in this chapter, as the bit of dialogue we get between him and Olivia feels somewhat too much of a repeat to their encounter in the previous chapter. I think there is definitely room to expand on this chapter and progress the Axel stuff a bit more, developing him more as a character.
--Chris